Groups, Here We Come!

With K-pop groups’ infectious popularity and dominance in recent years, a growing number of Asian countries are reviving the “group” phenomenon in their own music industries. And who’s leading the charge? C-pop. It’s obvious with 1.6 billion people, China would have the biggest surge of groups, but when I speak of leading the charge I’m talking about innovative and/or competitive groups that have real potential. Like Japan’s famous breakthrough in the automobile industry, C-pop had to first learn to replicate K-music industry’s processes in developing groups, before they could innovate with their own structures and styles.

C-pop now possess a dozen or so boy and girl groups debuting within the last 3 years. Some of them were/are unoriginal shadows of Kpop groups, trying valiantly to copy the music, images, styles, and/or even MV filming concepts of their Korean counterparts. Many of them lack the stage training and musical talent required for a successful group in the long-term, or I should say they debuted before they were ready. Perhaps this is harsh criticism, but entertainment industries are no longer bound by countries or regions. Therefore, the competition is also no longer just within the walls of your own country. To compete, and last, in an industry inundated with better developed groups, backed by more experienced foreign companies, these C-pop groups have to be prepared.

Does this mean that there aren’t any great groups out there in C-pop? No. Below are a few that I think possess the talents and/or innovation needed to compete with not only their peers but globally as well. C-pop may not have K-pop’s notorious work/training schedules (S. Korea maintains the world’s record for average work hours per capita), nor the marketing/image prowess that K-pop companies have expertise in, but here are a few hopefuls.

What I’m most impressed with this group was how ready they were when they debuted. Unlike many of the their C-pop competitors, this group trained rigorously for 3 years in secret, while emphasizing individual development, before making their public appearance. Not only were they the most impressive of all the boy-groups in their live stages, but they were also the most individually compelling group. Each member had a definite role, whether it was dance choreography, song/lyric composing, rapping, etc., and yet when they performed as a group, it was like parts of a well-oiled machine coming together.

MIC – Rockstar

Credit: missrocknrockstaaa

MIC does possess weaknesses. One of which lie in their vocal uniqueness. With the rise of so many boy bands, it is important to have tones that are instantly recognizable and/or distinctive as a group. Unfortunately, vocal tones are normally given to you by your parents, and isn’t something you can acquire non-genetically, at least not easily. They’ll have to practice their vocal/music range in order to compete with groups like Hit-5, Top Combine, etc. But if the below collaboration with SME’s F(x) is any indication, this group has the real potential to make it out of their home sweet home.

F(x) & MIC – Lollipop

Credit: zhangalun

F(x) & MIC – LG Lollipop Making Of MV

Credit: adilahFX


Riding on the trend of androgynous, if not outright LGBT (Lesbian Gay Bisexual Transgender) celebrities in the past decade, this new girl group is definitely breaking the mold in it’s concept. Even though MISSTER debuted only last month, this group is by far the most innovative, refreshing, and bold female debutees out there in C-pop. What is interesting about this group is that they have the advantage of displaying both boy-group dance songs and girl-group sensitivities. What is also intriguing is that many of the girls in MISSTER have feminine tastes albeit tomboyish dispositions, i.e. Hello Kitty fetishes. This conflicting image is great in attracting the heavily female-weighted asian-pop fan scene, especially when they have good songs and well-filmed MVs.

MISSTER – Super Lover

Credit: missrocknrockstaaa



The GM *I know it’s been over a year since I posted, but I’m going to try really hard, I mean really hard, to update this blog…or someone may turn into Queen of Hearts and have me “Off with her head!” one of these days. lols*

Posted in China, Music, Taiwan | Tagged , , , , , , | Leave a comment

Jewelry Want You To “Back It Up”

Credit: TonyKPOPMV

I’m going to wait until the full MV is released to give my two cents, but from what I’ve seen in the teaser MV it looks like a mix between Secret’s “Shy Boy” and Dal Shabet’s “Supa Diva”. Unfortunately the old adage “When one does it, EVERYONE does it” rears it’s ugly head again in Kpop.

Not that I condone it, but if another Kpop group is going to copy another group I wish they would pick a better concept than this.


Posted in Korea, Music | Tagged , | Leave a comment

F(X) Arrives On “Paradise Ranch” With Teaser Audio

Credit: KyuleeKPOPMV

And…is that AmberSINGING!?!

I can not wait for their comeback!


Posted in Korea, Music | Tagged , | Leave a comment

New MV: Secret Wants A “Shy Boy”

Credit: KyuleeKPOPMV
Continue reading

Posted in Korea, Music | Tagged | Leave a comment

New MV: MBLAQ’s “Cry”

Credit: jtunecamp
Continue reading

Posted in Korea, Music | Tagged | Leave a comment

New Album: Joo “Heartmade”

Continue reading

Posted in Korea, Music | Tagged | Leave a comment

Song of the Day #2: IU-Good Day

Credit: AsianWorldHD

I have loved this girl since she debuted and I’m so glad she is finally getting recognized. She is so talented and deserves all the attention she is getting now. The song shows how she is growing from the cutesy image that we’ve seen in songs like “Boo” and “Marshmallow” into a more mature concept without trending towards a sexier image like other solo artists have in the past.

I can’t wait to hear more from IU in the future.

Credit: jsmer

Credit: NoObJyez94

Posted in Korea, Music | Tagged | Leave a comment